A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
- |
- |
- |
- |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
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U |
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W |
X |
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8 |
9 |
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2 |
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7 |
8 |
9 |
1 |
2 |
3 |
4 |
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6 |
7 |
8 |
A |
B |
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D |
E |
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H |
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M |
N |
O |
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T |
U |
V |
W |
X |
Y |
Z |
A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
Page 250
"There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and
shows God creating the world by means of language as though he were writing a book. But language has been
entirely transformed and the message of creation is no
longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal
connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
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THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
- |
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- |
- |
- |
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THE |
33 |
15 |
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RAINBOW |
82 |
37 |
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LIGHT |
56 |
29 |
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1+5 |
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1+7+1 |
8+1 |
- |
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15 |
THE RAINBOW LIGHT |
- |
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- |
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THE |
33 |
15 |
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R |
18 |
9 |
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A |
1 |
1 |
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I |
9 |
9 |
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N+B+O+W |
54 |
18 |
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L |
12 |
3 |
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I |
9 |
9 |
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G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
|
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
THE LIGHT IS RISING RISING IS THE LIGHT
26 |
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8 |
9 |
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14 |
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19 |
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24 |
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26 |
+ |
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1+1+5 |
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26 |
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8+3 |
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1+1 |
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1+1 |
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26 |
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occurs |
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19 |
10 |
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19 |
10 |
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1 |
1 |
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19 |
10 |
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S |
19 |
10 |
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IN |
23 |
14 |
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1 |
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T+I+O+N |
58 |
22 |
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4 |
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ASSASSINATION |
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1+3 |
- |
1+6+0 |
7+9 |
1+6 |
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ASSASSINATION- |
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ASSASSINATION- |
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N |
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3+8 |
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9 |
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1+3+7 |
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1+1 |
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- |
13 |
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I |
N |
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T |
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O |
N |
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2+3 |
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- |
13 |
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N |
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T |
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O |
N |
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14 |
+ |
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1+6+0 |
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9 |
5 |
1 |
2 |
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6 |
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4+3 |
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13 |
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I |
N |
A |
T |
I |
O |
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occurs |
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- |
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- |
- |
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- |
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2 |
- |
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occurs |
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- |
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occurs |
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10 |
1+0 |
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- |
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- |
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- |
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- |
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6 |
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occurs |
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6 |
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|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
- |
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
22 |
13 |
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
23 |
|
|
|
|
|
|
|
2+2 |
1+3 |
- |
|
- |
- |
- |
|
|
|
|
- |
|
- |
|
|
|
2+3 |
|
|
1+3 |
|
4+3 |
|
2+5 |
4 |
|
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
|
|
|
4 |
|
7 |
|
7 |
|
|
|
|
|
|
|
|
9 |
5 |
1 |
2 |
|
6 |
5 |
|
|
|
|
|
|
|
- |
|
|
4 |
4 |
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
5 |
|
|
4 |
|
7 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
9 |
|
5 |
|
|
|
3+8 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
14 |
|
|
|
1+3+7 |
|
|
1+1 |
|
|
|
13 |
|
|
|
|
|
|
I |
N |
|
T |
I |
O |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
|
|
|
|
13 |
|
|
|
|
|
|
I |
N |
|
T |
I |
O |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
+ |
= |
|
1+6+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
9 |
5 |
1 |
2 |
|
6 |
5 |
|
|
|
4+3 |
|
|
= |
|
|
|
13 |
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
- |
|
|
- |
|
|
|
2 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
- |
- |
- |
- |
|
- |
|
|
|
- |
- |
6 |
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
- |
- |
|
|
- |
|
|
- |
- |
|
- |
- |
- |
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
13 |
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
- |
|
23 |
|
|
|
|
|
|
|
1+3 |
- |
|
- |
- |
- |
|
|
|
|
- |
|
- |
|
|
|
2+3 |
|
|
1+3 |
|
4+3 |
|
2+5 |
|
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
|
|
|
4 |
|
7 |
|
7 |
|
|
|
|
|
|
|
9 |
5 |
1 |
2 |
|
6 |
5 |
|
|
|
|
|
|
|
- |
|
|
4 |
|
|
|
|
|
|
I |
N |
A |
T |
I |
O |
N |
|
|
5 |
|
|
4 |
|
7 |
|
7 |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
S |
19 |
10 |
|
|
S |
19 |
10 |
|
|
A |
1 |
1 |
|
|
S |
19 |
10 |
|
|
S |
19 |
10 |
|
|
IN |
23 |
14 |
|
|
S |
1 |
1 |
|
|
ASSASSINS |
|
|
|
|
|
1+2+0 |
2+1 |
1+2 |
|
ASSASSINS- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
1+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+8 |
|
|
1+0 |
|
- |
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
|
|
- |
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
1+2+0 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
2+1 |
|
|
= |
|
|
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
- |
- |
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
9 |
30 |
9 |
|
|
|
|
|
|
I |
N |
|
|
|
15 |
|
|
|
|
|
3+0 |
|
- |
|
- |
- |
- |
|
|
|
- |
|
|
1+5 |
|
|
|
|
2+1 |
3 |
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
9 |
|
3 |
|
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
|
|
|
|
- |
3 |
9 |
|
|
|
|
|
|
I |
N |
|
|
|
6 |
|
|
9 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1+8 |
|
|
1+0 |
|
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
|
|
|
|
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
1+2+0 |
= |
|
= |
|
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
2+1 |
|
|
= |
|
9 |
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
|
|
- |
|
|
- |
- |
|
|
occurs |
x |
|
= |
9 |
9 |
|
|
|
|
|
|
I |
N |
|
- |
|
15 |
|
|
|
|
|
|
- |
|
- |
- |
- |
|
|
|
- |
|
|
1+5 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
9 |
|
3 |
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
I |
N |
|
|
|
6 |
|
|
9 |
|
3 |
|
|
|
|
|
|
THE |
33 |
15 |
|
|
A |
1 |
1 |
|
|
S |
19 |
10 |
|
|
S |
19 |
10 |
|
|
A |
1 |
1 |
|
|
S |
19 |
10 |
|
|
S |
19 |
10 |
|
|
IN |
23 |
14 |
|
|
S |
1 |
1 |
|
|
THE ASSASSINS |
|
|
|
1+2 |
|
1+5+3 |
3+6 |
1+8 |
|
THE ASSASSINS- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
= |
|
|
|
- |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
|
|
|
|
|
- |
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
|
|
- |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
- |
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
- |
|
20 |
8 |
5 |
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
1+5+3 |
= |
|
= |
|
|
|
- |
|
2 |
8 |
5 |
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
3+6 |
|
|
= |
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
- |
|
|
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
- |
- |
|
|
|
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
5 |
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
|
- |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
- |
- |
|
- |
|
- |
- |
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
9 |
|
|
20 |
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
25 |
|
|
|
|
|
= |
|
2+0 |
1+2 |
- |
- |
|
- |
- |
|
- |
- |
- |
|
|
|
- |
|
|
2+5 |
|
|
1+2 |
|
3+6 |
|
2+7 |
2 |
|
|
|
|
- |
|
|
|
|
|
|
I |
N |
|
|
|
7 |
|
|
3 |
|
9 |
|
9 |
|
|
2 |
8 |
5 |
- |
|
|
|
|
|
|
9 |
5 |
|
|
|
- |
|
|
- |
|
- |
|
- |
2 |
3 |
T |
H |
|
- |
|
|
|
|
|
|
I |
N |
|
|
|
7 |
|
|
3 |
|
9 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
= |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
20 |
8 |
5 |
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
1+5+3 |
= |
|
= |
|
|
|
|
2 |
8 |
5 |
|
|
|
|
|
|
|
9 |
5 |
|
|
|
|
3+6 |
|
|
= |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
I |
N |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
- |
- |
- |
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
- |
- |
|
- |
|
|
|
|
|
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5 |
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occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
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|
- |
- |
- |
- |
|
|
- |
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- |
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occurs |
x |
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= |
8 |
= |
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|
- |
- |
|
- |
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- |
- |
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|
- |
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- |
- |
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occurs |
x |
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= |
9 |
|
|
12 |
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I |
N |
|
- |
|
25 |
|
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= |
|
1+2 |
- |
- |
|
- |
- |
|
- |
- |
- |
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- |
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2+5 |
|
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1+2 |
|
3+6 |
|
2+7 |
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- |
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I |
N |
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7 |
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3 |
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9 |
|
9 |
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2 |
8 |
5 |
- |
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9 |
5 |
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- |
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- |
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- |
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- |
3 |
T |
H |
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- |
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I |
N |
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7 |
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3 |
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9 |
|
9 |
Imad Mughniyah was killed on February 12, 2008 by a car bomb blast around 11:00 pm local time in the Kfar Suseh neighborhood of Damascus, Syria. ... en.wikipedia.org/wiki/Imad_Mughniyah
GODS
KARMAS OUR KARMAS
PRISONERS IMMORTAL IMMORTAL PRISONERS
IMPRISONED
ENAMOURED AND ENSNARED
WITHIN
THAT
INDIVIDUAL
MINDS
I
U R THAT THAT R U
THAT THAT THAT
U
R
ALWAYS AWAKENS THE CREATORS HOLY OBLIGATION
PERFECT BEING BEING PERFECT
BALANCING THE BALANCING
NEGATIVE POSITIVE POSITIVE NEGATIVE
LIGHT DARK DARK LIGHT
DIVINE THOUGHT THOUGHT DIVINE
THE UNIVERSAL LAW
OF
BEING A BEING
IN
GOD BE IN GOD
GO DO GOOD GOOD GO DO
THAT THAT THAT
MAATIS ISISISISIS ISMAAT
MAAT IS THAT ALWAYS THAT IS MAAT
U R THAT THAT R U
THAT ISISISISISIS THAT
THAT THAT THAT
IS
THE SCENE OF THE SCENE
UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN
REALREALITYREVEALEDREVEALEDREALREALITY
I AM FOREVER AND ALWAYS ALWAYS AND FOREVER AM I
YOU ARE THAT THAT ARE YOU
THE ETERNAL DREAMER DREAMING THE ETERNAL DREAM
EVERY BREATH YOU TAKE IN EVERY DREAM YOU WAKE
I AM PATIENCE PERSONIFIED I PERSONIFIED PATIENCE AM I
READEST THAT THOU I ME DEAR READER READEST THAT THOU I ME
I
THAT
AM
WEAVE THE DREAM THERE IS ONLY ONE REAL DREAMER
KNOW ME THAT I THAT I ME KNOW
LOVE EVOLVE ALWAYS EVOLVE LOVE
- |
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THE |
33 |
15 |
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BIRDS |
52 |
25 |
|
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I |
9 |
9 |
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VIEW |
59 |
23 |
|
|
THE BIRDS I VIEW |
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1+3 |
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8+1 |
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THE BIRDS I VIEW |
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B |
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8 |
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9 |
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1 |
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9 |
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9 |
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3+6 |
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- |
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8 |
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9 |
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19 |
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9 |
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9 |
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5+4 |
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B |
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R |
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5 |
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2 |
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9 |
4 |
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4 |
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5 |
5 |
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3+6 |
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= |
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- |
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5 |
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2 |
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18 |
4 |
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22 |
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5 |
23 |
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9+9 |
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- |
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B |
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R |
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- |
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20 |
8 |
5 |
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2 |
9 |
18 |
4 |
19 |
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9 |
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22 |
9 |
5 |
23 |
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1+5+3 |
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= |
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- |
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2 |
8 |
5 |
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2 |
9 |
9 |
4 |
1 |
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9 |
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4 |
9 |
5 |
5 |
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7+2 |
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- |
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13 |
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B |
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R |
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- |
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1 |
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- |
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occurs |
x |
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= |
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- |
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- |
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- |
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- |
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= |
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- |
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- |
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- |
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- |
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4 |
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4 |
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occurs |
x |
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= |
8 |
= |
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- |
- |
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- |
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- |
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- |
- |
- |
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- |
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5 |
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occurs |
x |
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= |
15 |
1+5 |
|
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- |
- |
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- |
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- |
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- |
- |
- |
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- |
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8 |
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- |
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- |
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- |
- |
- |
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- |
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occurs |
x |
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= |
1 |
= |
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- |
- |
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- |
- |
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- |
- |
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- |
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occurs |
x |
|
= |
36 |
3+6 |
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B |
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R |
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1+6 |
1+3 |
- |
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- |
- |
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- |
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- |
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2+9 |
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1+3 |
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7+2 |
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3+6 |
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- |
B |
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R |
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- |
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- |
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2 |
8 |
5 |
- |
2 |
9 |
9 |
4 |
1 |
- |
9 |
- |
4 |
9 |
5 |
5 |
|
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1+1 |
|
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- |
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7 |
4 |
T |
H |
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B |
I |
R |
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I |
- |
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I |
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B |
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8 |
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9 |
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1 |
|
9 |
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9 |
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3+6 |
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8 |
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|
9 |
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19 |
|
9 |
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9 |
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5+4 |
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= |
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B |
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R |
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5 |
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2 |
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9 |
4 |
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4 |
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5 |
5 |
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3+6 |
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= |
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5 |
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2 |
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18 |
4 |
|
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22 |
|
5 |
23 |
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9+9 |
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B |
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R |
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20 |
8 |
5 |
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2 |
9 |
18 |
4 |
19 |
|
9 |
|
22 |
9 |
5 |
23 |
|
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|
1+5+3 |
|
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= |
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2 |
8 |
5 |
|
2 |
9 |
9 |
4 |
1 |
|
9 |
|
4 |
9 |
5 |
5 |
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|
7+2 |
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- |
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13 |
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B |
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R |
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- |
- |
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- |
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1 |
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- |
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- |
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occurs |
x |
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= |
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= |
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- |
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- |
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- |
|
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- |
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- |
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occurs |
x |
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= |
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= |
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- |
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- |
|
|
|
- |
|
4 |
|
|
- |
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4 |
- |
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occurs |
x |
|
= |
8 |
= |
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|
- |
- |
|
- |
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- |
|
|
|
- |
- |
- |
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- |
|
5 |
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occurs |
x |
|
= |
15 |
1+5 |
|
|
- |
8 |
|
- |
|
- |
|
|
|
- |
- |
- |
|
- |
|
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occurs |
x |
|
= |
1 |
= |
|
|
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|
- |
- |
|
|
|
|
- |
- |
|
- |
- |
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- |
|
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|
occurs |
x |
|
= |
36 |
3+6 |
|
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B |
|
R |
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1+3 |
- |
|
- |
- |
|
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- |
|
- |
|
|
|
|
|
|
2+9 |
|
|
1+3 |
|
7+2 |
|
3+6 |
|
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- |
B |
|
R |
|
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- |
|
- |
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2 |
8 |
5 |
- |
2 |
9 |
9 |
4 |
1 |
- |
9 |
- |
4 |
9 |
5 |
5 |
|
|
1+1 |
|
|
|
|
- |
|
|
4 |
T |
H |
|
- |
B |
I |
R |
|
|
- |
I |
- |
|
I |
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- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
-- |
- |
- |
- |
- |
I |
9 |
9 |
|
-- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
- |
- |
- |
F |
= |
6 |
9 |
FRATERNAL |
95 |
41 |
5 |
G |
= |
7 |
9 |
GREETINGS |
104 |
50 |
5 |
C |
= |
3 |
8 |
CHILDREN |
73 |
46 |
1 |
O |
= |
6 |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
7 |
RAINBOW |
82 |
37 |
1 |
L |
= |
3 |
5 |
LIGHT |
56 |
29 |
2 |
- |
- |
36 |
43 |
First Total |
|
|
|
- |
- |
3+6 |
4+3 |
Add to Reduce |
4+6+4 |
2+3+0 |
2+3 |
Q |
- |
9 |
7 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
9 |
|
Essence of Number |
|
|
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|
18 |
|
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- |
- |
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|
- |
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5 |
|
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|
9 |
5 |
|
1 |
|
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|
2+0 |
|
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|
|
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|
- |
|
|
|
|
|
|
14 |
|
|
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|
9 |
14 |
|
19 |
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
18 |
|
|
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|
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- |
|
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|
- |
6 |
9 |
1 |
2 |
5 |
9 |
|
1 |
3 |
|
7 |
9 |
5 |
5 |
2 |
|
|
3 |
|
|
|
|
7+1 |
|
|
|
|
|
|
|
- |
6 |
18 |
1 |
20 |
5 |
18 |
|
1 |
12 |
|
7 |
18 |
5 |
5 |
20 |
|
|
3 |
|
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|
|
1+4+3 |
|
|
1+4+3 |
|
|
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|
18 |
|
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- |
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|
- |
6 |
18 |
1 |
20 |
5 |
18 |
14 |
1 |
12 |
|
7 |
18 |
5 |
5 |
20 |
9 |
14 |
7 |
19 |
|
|
|
1+9+9 |
|
|
1+9 |
|
|
|
|
- |
6 |
9 |
1 |
2 |
5 |
9 |
5 |
1 |
3 |
|
7 |
9 |
5 |
5 |
2 |
9 |
5 |
7 |
17 |
|
|
|
9+1 |
|
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|
18 |
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- |
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1 |
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occurs |
x |
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3 |
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2 |
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2 |
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occurs |
x |
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3 |
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occurs |
x |
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- |
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4 |
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- |
- |
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5 |
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5 |
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occurs |
x |
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2+5 |
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- |
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occurs |
x |
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|
7 |
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|
7 |
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occurs |
x |
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|
1+4 |
|
8 |
- |
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8 |
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- |
- |
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9 |
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3+6 |
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18 |
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1+2 |
1+8 |
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5 |
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5 |
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3+3 |
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1+8 |
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9+1 |
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3+7 |
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18 |
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- |
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- |
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- |
6 |
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1 |
2 |
5 |
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5 |
1 |
3 |
- |
7 |
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5 |
5 |
2 |
9 |
5 |
7 |
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1+0 |
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1+0 |
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18 |
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- |
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18 |
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- |
- |
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- |
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5 |
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9 |
5 |
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1 |
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2+0 |
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- |
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14 |
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9 |
14 |
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19 |
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5+6 |
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1+1 |
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18 |
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- |
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- |
6 |
9 |
1 |
2 |
5 |
9 |
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1 |
3 |
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7 |
9 |
5 |
5 |
2 |
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3 |
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7+1 |
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- |
6 |
18 |
1 |
20 |
5 |
18 |
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1 |
12 |
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7 |
18 |
5 |
5 |
20 |
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3 |
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1+4+3 |
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1+4+3 |
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18 |
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6 |
18 |
1 |
20 |
5 |
18 |
14 |
1 |
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7 |
18 |
5 |
5 |
20 |
9 |
14 |
7 |
19 |
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1+9+9 |
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1+9 |
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6 |
9 |
1 |
2 |
5 |
9 |
5 |
1 |
3 |
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7 |
9 |
5 |
5 |
2 |
9 |
5 |
7 |
17 |
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9+1 |
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2 |
9 |
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1+0 |
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1+0 |
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1 |
9 |
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5 |
1 |
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1+7 |
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19 |
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19 |
9 |
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14 |
19 |
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7+1 |
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9 |
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2 |
1 |
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7 |
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1+9 |
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1+0 |
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20 |
1 |
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7 |
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4+6 |
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1+0 |
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9 |
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- |
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- |
19 |
20 |
1 |
18 |
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19 |
9 |
7 |
14 |
19 |
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1+2+6 |
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1 |
2 |
1 |
9 |
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1 |
9 |
7 |
5 |
1 |
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3+6 |
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9 |
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1 |
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occurs |
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4 |
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occurs |
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occurs |
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5 |
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occurs |
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7 |
-- |
7 |
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occurs |
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1+8 |
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24 |
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2+1 |
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- |
- |
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- |
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2+4 |
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3+6 |
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2+7 |
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1 |
3 |
1 |
9 |
- |
1 |
9 |
7 |
5 |
1 |
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- |
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A
MYSTERIOUS
VOICE IN THE NIGHT
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
BALANCING THAT BALANCING
ISHI TELL IRISH RISHI HOW MANY FISHI
I
ME
THAT
AM
JERUSALEM MELASUREJ
1 5 9 3 1 1 3 5 4 4 5 3 1 1 3 9 5 1
GODS HOLY CITY
ONE
PEOPLES
ONE
WORLD
GODS WORLD GODS PEOPLES GODS CITY
THE
FIELD
THE QUEST FOR THE SECRET FORCE OF THE UNIVERSE
Lynne McTaggart 2001
LIGHT IN THE DARKNESS
Page III
"Physics may be about to face a revolution similar to that which occurred just a century ago. . .
Arthur C. Clarke, 'When Will the Real Space Age Begin?'
If an angel was to tell us about his philosophy. . .
many of his statements might well sound like 2x2 = 13"
Georg Christophe Lichtenburg, Aphorisms
Page 13 "Subatomic particles had no meaning as isolated entities but could only be understood in their realationships. The world at its most basic, existed as a complex web of interdependant relationships, forever indivisible"
FATHER TERAH THERA HEART EARTH HEART THERA TERAH FATHER
FATHER TERAH THERA HEART EARTH HEART THERA TERAH FATHER
F
ATHER TERAH THERA HEART EARTH HEART THERA TERAH ATHER
F = 6 = F
ATHER TERAH THERA HEART EARTH HEART THERA TERAH ATHER
THE ATLANTIS SECRET
A COMPLETE DECODING OF PLATOS LOST CONTINENT
Alan F. Alford 2001
Page v
ATLANTIS RECONSIDERED
"All of these myths, and many others besides, concealed a 'Secret of secrets' that was accepted, unquestioningly, as a true account of the origins of the cosmos and man...."
Page v
"...Until now, this mainstream breakthrough in comparative religion has found limited application, for, if truth be told, the literature of the Near East is as much of a puzzle to scholars as the literature of the Greeks. Now, however, in the light of my recent deciphering of the Egyptian and Mesopotamian myths, the full import of these parallels may be felt For the first time ever, it becomes possible to understand the Greek myths by literally standing under them. For the first time ever, we can get inside Plato's mind and reconsider the story of Atlantis from an ancient, rather than a modern, perspective.
The result is nothing short of a sensation. In this book, I present not only a complete decoding of the lost continent of Atlantis, but also a complete decoding of ancient Greek religion in its entirety. I am able to decode the myths of the Olympian gods and their associated mystery cults; I am able to decode the myth of the golden age and the fall of man; I am able to decode the scientific cosmogoniess of Thales, Arnixim-inder, Heraclitus, Anaxagoras, Empedocies and Philolaos; I am able to decode the 'soul religion' of Orpheus, Pythagoras, Parmenides, Socrates and Plato; and I am able to decode Plato's Theory of Forms, his account nf the creation by the Demiourgos, and his story of Atlantis. Behind all of these ideas there lies a single secret of stunning simplicity - ..."
Page 19 (number omitted)
Chapter Two
CATACLYSMS AND THE GODS
Veiled in thick mist, the Muses walk by night,
uttering beautiful voice, singing of Zeus
who bears the aegis.
(Hesiod, Theogony, 8th-7th century BC)
We now have an overview of the story of the gods. We have learned of their origins, ultimately from Ouranos and Gaia. We have learned of their battles, in which Kronos and then Zeus rose, in turn, to supremacy. We have learned of their establishment of the world order and their division of the world into regions. We have learned of the gods' creation of mankind, apparently preceded by at least one pre-human race of earth- born people. And we have learned of the mingling that allegedly took place between the gods and the earth-born people, which resulted in the race of half-gods, or god-like heroes, and their mighty descendants.
But it is now time to focus in more detail on the various attributes of the gods. Were they really as human-like as Homer and the Euhemerists (such as Ignatius Donnelly) have led us to believe?
We will begin with the physical appearance of the gods, and as good a starting point as any is the hair by which so many were distinguished. There is the 'dark' hair of Poseidon, for example, the 'long, flowing' hair of Apollo, the 'braided' hair of Calypso, and the 'beautiful' hair of Leto and Demeter.' But what should we make of the hair of Zeus, which is described in the Iliad thus:
So the son of Kronos [i.e. Zeus] spoke, and he nodded his dark brows. The lord god's immortal hair streamed forward from his deathless head and he shook the heights of Olympus.2
What kind of hair, might we ask, is 'immortal'? What kind of hair is attached to a head that can shake the Heaven when it is nodded? The unavoidable answer, surely, is the hair of a head of a supernatural body.
Page 20
And, as if to confirm this supposition, the Iliad informs us that when the mighty Zeus sat down upon his throne the Heaven was shaken:
Zeus took his seat on the golden throne and great Olympus was shaken under his feet.3
Similarly, the Heaven was shaken by the movements of Zeus' wife Hera. Again in the Iliad, we read:
Queen Hera was angry. She tossed on her throne and shook the heights of Olympus...4
Were Zeus and Hera literally human-like giants, or are we simply dealing with exaggerated poetic metaphors? Or might there be more to it? Whatever the answer, these descriptions fit into a much wider theme of the gods' supernatural attributes.
Take the way the gods moved around, for example. Poseidon, the god of Atlantis, could descend from the highest mountain of Samos into the depths of the sea in four giant strides.5 Hera could move from Olympus to Lemnos by hopping from one mountain peak to another.6 Apollo, the Far-shooter, could move from Delphi to Thessaly in one stride and his footsteps could cause an entire island to shake.7 The aforementioned descent of Poseidon is described in the Iliad as follows:
Immediately the Earth-shaker [Poseidon] came down from the rocky mountain with fast strides, and the high mountains and the forests trembled under the immortal feet of Poseidon in motion. He took three strides and with the fourth reached his goal, Aigai, where his glorious palace was built in the depths of the water in gleaming gold, imperishable for ever.
Quite apart from Poseidon's supernatural footwork, we might well ask what kind of god had need of such a palace beneath the sea.
Supernatural motion went hand in hand with supernatural body-size and supernatural strength. Although the gods could and did take on the standard human form at will (see later), the true forms of the gods seem to have been literally superhuman. Thus, when the goddess Demeter took on human form in order to search for her missing daughter Persephone, she entered the palace at Eleusis and her head touched the ceiling.8 Thus, similarly, when Aphrodite visited the hero Anchises, she stood as tall as the roof.9 And thus, when the war-god Ares was felled by bright-eyed Athene, his body was said to have covered seven whole acres.10
Superhman size and strength feature particularly in those gods who fought the battle of the Titans. In Theogony, for example, Hesiod tells us / Page
21 /
that the Hundred-handers had 'boundless strength'; when they went into battle, they wielded 'sheer cliffs' in their hands and when they launched their missiles they 'darkened the Titans' sky'.11 Later, when Zeus went into mid-air battle against the monstrous god Typhoeus, Heaven and Eart were shaken, and when Typhoeus' body plunged to the ground, the Earth 'burned far and wide'.12 And, in the aftermath of this battle, the superhuman god par excellence is encountered in the form of Atlas - the giant who was forced to, bear the Heave on his head and shoulders.
Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:
... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall. It was this pair that threatened to go to war with the very gods on Olympus in the din and turmoil of battle. It was their ambition to pile Mount Ossa on Olympus and wooded Pelion on Ossa, to make a stairway up to Heaven."
The case of Otus and Ephialtes may be exceptional, but it is nevertheless consistent with the general idea that the half-gods — the heroes — could throw huge rocks which could not even be picked up by 'the folk that live now'.
Page VII
Reading Note 2
"I have used male pronouns throughout this book, and I apologise to anyone who finds this practice offensive; I have done so purely to avoid the constant clumsiness of 'he or she', 'himself or herself, 'his or her', et cetera. In addition, I have used the words 'man', 'men' and 'mankind' to refer, on occasions, to the entire human race. Absolutely no offence is intended towards women, and I certainly do not wish to suggest any inequality between the sexes..."
HAIR HEAD CODE DECODE CODE HEAD HAIR
DECODE CODE HEAD HAIR CODE DECODE
HA I R HEAD CO DE DE CO DE CO DE HEAD HA I R
DECODE CODE HEAD HAIR CODE DECODE
HERA REAH HE HER RA ARE
HERE AM I AM HERE
ALWAYS
THE ATLANTIS SECRET
A COMPLETE DECODING OF PLATOS LOST CONTINENT
Alan F. Alford 2001
Page 21
"Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:
... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall."
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15 |
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5 |
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
|
15 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
3 |
|
4 |
5 |
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
3 |
15 |
4 |
5 |
|
|
|
2+7 |
|
|
|
|
- |
3 |
6 |
4 |
5 |
|
|
|
1+8 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
3 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
- |
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
|
- |
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
DECODE |
- |
- |
- |
|
D+E |
9 |
9 |
|
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
6 |
DECODE |
36 |
27 |
27 |
- |
- |
3+6 |
2+7 |
2+7 |
6 |
DECODE |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
|
|
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
15 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
- |
4 |
5 |
3 |
|
4 |
5 |
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
- |
4 |
5 |
3 |
15 |
4 |
5 |
|
|
36 |
3+6 |
|
|
|
|
|
|
- |
- |
4 |
5 |
3 |
6 |
4 |
5 |
|
|
|
2+7 |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
8 |
|
|
|
5 |
- |
|
|
5 |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
1 |
|
|
|
|
- |
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
6 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
- |
- |
- |
- |
- |
- |
|
|
1+8 |
|
|
|
|
2+7 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
4 |
5 |
3 |
6 |
4 |
5 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
|
|
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
15 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
4 |
5 |
3 |
|
4 |
5 |
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
- |
4 |
5 |
3 |
15 |
4 |
5 |
|
|
36 |
3+6 |
|
|
|
|
|
|
- |
4 |
5 |
3 |
6 |
4 |
5 |
|
|
|
2+7 |
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
3 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
8 |
|
|
5 |
- |
|
|
5 |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
1 |
|
|
|
- |
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
|
|
1+8 |
|
|
|
|
2+7 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
3 |
6 |
4 |
5 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
A SIGNAL |
- |
- |
- |
1 |
A |
1 |
1 |
|
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
7 |
A SIGNAL |
63 |
36 |
27 |
- |
- |
6+3 |
3+6 |
2+7 |
7 |
A SIGNAL |
9 |
9 |
9 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
1 |
9 |
|
5 |
|
|
|
|
|
1+5 |
|
|
|
|
- |
- |
|
- |
19 |
9 |
|
14 |
|
|
|
|
|
4+2 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
|
|
|
7 |
|
1 |
3 |
|
|
|
1+1 |
|
|
|
|
- |
- |
1 |
|
|
|
7 |
|
1 |
12 |
|
|
|
2+1 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
- |
19 |
9 |
7 |
14 |
1 |
12 |
|
|
|
6+3 |
|
|
|
|
- |
- |
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
2+7 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
1 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
2 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
|
|
|
|
2+0 |
- |
|
- |
- |
|
|
|
|
|
|
|
2+5 |
|
|
- |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
9 |
|
5 |
|
|
|
|
|
1+5 |
|
|
|
|
- |
|
- |
19 |
9 |
|
14 |
|
|
|
|
|
4+2 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
|
|
|
7 |
|
1 |
3 |
|
|
|
1+1 |
|
|
|
|
- |
1 |
|
|
|
7 |
|
1 |
12 |
|
|
|
2+1 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
- |
19 |
9 |
7 |
14 |
1 |
12 |
|
|
|
6+3 |
|
|
|
|
- |
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
2+7 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
|
|
|
|
- |
|
- |
- |
|
|
|
|
|
|
|
2+5 |
|
|
- |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
SIGNALS |
- |
- |
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
1 |
S |
19 |
10 |
|
7 |
SIGNALS |
81 |
45 |
27 |
- |
- |
8+1 |
4+5 |
2+7 |
7 |
SIGNALS |
9 |
9 |
9 |
|
7 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
- |
1 |
9 |
|
5 |
|
|
1 |
|
|
|
1+6 |
|
|
|
|
- |
- |
19 |
9 |
|
14 |
|
|
19 |
|
|
|
6+1 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
7 |
|
1 |
3 |
|
|
|
|
1+1 |
|
|
|
|
- |
- |
|
|
7 |
|
1 |
12 |
|
|
|
|
2+0 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
19 |
|
|
|
8+1 |
|
|
- |
|
- |
- |
1 |
9 |
7 |
5 |
1 |
3 |
1 |
|
|
|
2+7 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
3 |
2 |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
|
|
|
|
2+0 |
- |
- |
|
|
|
|
|
- |
|
|
2+5 |
|
|
- |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
7 |
5 |
1 |
3 |
1 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
1 |
9 |
|
5 |
|
|
1 |
|
|
|
1+6 |
|
|
|
|
- |
19 |
9 |
|
14 |
|
|
19 |
|
|
|
6+1 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
7 |
|
1 |
3 |
|
|
|
|
1+1 |
|
|
|
|
- |
|
|
7 |
|
1 |
12 |
|
|
|
|
2+0 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
19 |
|
|
|
8+1 |
|
|
- |
|
- |
1 |
9 |
7 |
5 |
1 |
3 |
1 |
|
|
|
2+7 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
|
|
|
|
|
1 |
|
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occurs |
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occurs |
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occurs |
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5 |
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occurs |
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7 |
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25 |
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2+5 |
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2+7 |
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1 |
9 |
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Land of Two Rivers
Some regarded Marilaha as one supreme god, presiding over the lords of the seven planets. The prophet Elkesai had a substantial following. ... www.webcom.com/gnosis/thomasbook/ch8.html
MARILAHA AHALIRAM
The Legacy of Mesopotamia by Stephanie Dalley - 1998 - Literary Collections - 248 pages
Segal equated Marilaha with ... Marilaha with an admixture of ancient Babylonian astrological religion, Hellenistic Hermetic ideas, and Indian influences. ...
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9 |
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1+7 |
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1+7 |
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1+9 |
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1+0 |
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4+6 |
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1+0 |
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18 |
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6+3 |
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occurs |
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occurs |
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occurs |
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1+8 |
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Freiheit-Keeping The Dream Alive lyrics. From the Original Motion Picture... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY
NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE
THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
Freiheit-Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
|
BECAUSE |
56 |
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WE'RE |
51 |
24 |
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KEEPING |
67 |
40 |
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THE |
33 |
15 |
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DREAM |
41 |
23 |
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ALIVE |
49 |
22 |
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First Total |
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3+1 |
Add to Reduce |
2+9+7 |
1+4+4 |
7+2 |
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Second Total |
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|
- |
Reduce to Deduce |
2+9+7 |
- |
- |
|
Essence of Number |
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|
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THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY
NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE
THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
Freiheit - Keeping The Dream Alive "The game will never be over because we're keeping the dream alive" 1988: I was introduced to this fantastic German band ... www.topblogarea.com/sitedetails_1281-3.html
www.zshare.net/audio/4468667f61800e/
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Date Sunday 20/01/2008 20-52pm
THE MAGIC MOUNTAIN
THE
TRUE
DEATH ON THE CROSS
THE
TRUE
ATONEMENT
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
A
MYSTERIOUS
VOICE IN THE NIGHT